AI Video Tools

Explore the best AI Video Tools — independent reviews, comparisons, pricing and step-by-step how-to guides, curated by Aizhi.

TipTop Technologies

TipTop Technologies is a real-time web and social search engine with a platform for semantic analysis of natural language. Tip-Top Search provides results capturing individual and group sentiment, opinions, and experiences there from the content of various sorts such as real-time messages from Twitter or consumer product reviews on Amazon.com. TipTop Technologies and ITC Infotech collaborated to create a search interface suitable for both enterprise and consumer applications. Tip-Top's products are part of the "emerging Web 3.0 applications which use semantic technologies to augment the underlying Web system's functionalities." Their main product is 360, an AI tool that incorporates multiple AI applications under one wing. Jonathan AlBright professor at Elon University, found videos generated by TipTop Technologies software on YouTube in his research into artificial intelligence, described it as AI-generated "fake news". Through semantic analysis of large data sets, TipTop gleaned behavioral insights from Tweets around events like Halloween, Thanksgiving, Holiday Gifting, the Super Bowl, and the Oscar Nominees for the Academy Awards coverage. Sentiment analysis, concept trend tracking, and real-time market research are other applications included in the TipTop Search product. TipTop's insight engine solves the problem of real-time data noise, and its ability to "sort the 'good tweets' from the 'bad tweets' when it comes to a product, service, or a region..." In addition, products like TipTop Shopping with customizable search widgets bring together consumer reviews, social search, and sentiment analysis enabling product comparisons across attributes like the overall value and aiding purchasing decisions through user-driven product tips and pits. TipTop Finance adds another complexity to real-time search results by incorporating corporate sentiment, company stock tickers, and social media into TipTop's existing social search platform. Additional success applying semantic technologies has been with polling, "if you compare these Gallup results with TipTop, a sentiment engine based on Twitter, the results are not way off. It does surprise you but it tells me that sentiment analysis in case of public opinion about a burning social issue or a famous personality is relatively easier." With the increasing amount of unstructured, opinion-oriented, and user-generated content available on the Web, TipTop's technology aims to make sense of all this data, and deliver it in a useful way for consumer and enterprise users alike. TipTop Technologies is a privately held company with its headquarters in the San Francisco Bay Area, and team members are located globally.
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Extended affix grammar

In computer science, extended affix grammars (EAGs) are a formal grammar formalism for describing the context free and context sensitive syntax of language, both natural language and programming languages. EAGs are a member of the family of two-level grammars; more specifically, a restriction of Van Wijngaarden grammars with the specific purpose of making parsing feasible. Like Van Wijngaarden grammars, EAGs have hyperrules that form a context-free grammar except in that their nonterminals may have arguments, known as affixes, the possible values of which are supplied by another context-free grammar, the metarules. EAGs were introduced and studied by D.A. Watt in 1974; recognizers were developed at the University of Nijmegen between 1985 and 1995. The EAG compiler developed there will generate either a recogniser, a transducer, a translator, or a syntax directed editor for a language described in the EAG formalism. The formalism is quite similar to Prolog, to the extent that it borrowed its cut operator. EAGs have been used to write grammars of natural languages such as English, Spanish, and Hungarian. The aim was to verify the grammars by making them parse corpora of text (corpus linguistics); hence, parsing had to be sufficiently practical. However, the parse tree explosion problem that ambiguities in natural language tend to produce in this type of approach is worsened for EAGs because each choice of affix value may produce a separate parse, even when several different values are equivalent. The remedy proposed was to switch to the much simpler Affix Grammar over a Finite Lattice (AGFL) instead, in which metagrammars can only produce simple finite languages.
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EDLUT

EDLUT (Event-Driven LookUp Table) is a computer application for simulating networks of spiking neurons. It was developed in the University of Granada and source code was released under GNU GPL version 3. EDLUT uses event-driven simulation scheme and lookup tables to efficiently simulate medium or large spiking neural networks. This allows this application to simulate detailed biological neuron models and to interface with experimental setups (such as a robotic arm) in real time.
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Sasha Luccioni

Alexandra Sasha Luccioni (née Vorobyova; born 1990) is a computer scientist specializing in the intersection of artificial intelligence (AI) and climate change. Her work focuses on quantifying the environmental impact of AI technologies and promoting sustainable practices in machine learning development. == Early life and education == Alexandra Sasha Vorobyova was born in the Ukrainian Soviet Socialist Republic in 1990. When she was four years old, her family relocated to Ontario, Canada. Her interest in science is influenced by her family's history; her mother, grandmother, and great-grandmother all pursued careers in scientific fields. Luccioni earned a B.A. in language science from University of Paris III: Sorbonne Nouvelle in 2010. Subsequently, she completed a M.S. in cognitive science, with a minor in natural language processing, at École normale supérieure in Paris in 2012. Luccioni obtained her PhD in cognitive computing from Université du Québec à Montréal (UQAM) in 2018. == Career == Luccioni began her professional career at Nuance Communications in 2017, where she focused on natural language processing (NLP) and machine learning (ML) techniques to enhance conversational agents. She then joined Morgan Stanley’s AI/ML Center of Excellence in 2018, working on explainable artificial intelligence (AI) and decision-making systems. In 2019, she became a postdoctoral researcher at Université de Montréal and Mila, collaborating with computer scientist Yoshua Bengio on a project titled This Climate Does Not Exist. This initiative used generative adversarial networks to visualize the effects of climate change. During this time, she also contributed to integrating fairness and accountability into machine learning education at Mila. Luccioni briefly worked with the United Nations Global Pulse in 2021, developing tools to monitor COVID-19 misinformation. Later that year, she joined Hugging Face as a research scientist. Her role includes quantifying the carbon footprint of AI systems, co-chairing the carbon working group in the Big Science project, and advancing responsible machine learning practices. She helped create "CodeCarbon," an open-source software tool that estimates the carbon emissions produced during the training and operation of machine learning models. In addition to her research, she has developed tools to measure the environmental impact of AI models, communicated findings through media engagements, and presented at international conferences, including a TED Talk. In 2024, she was listed on BBC 100 Women and Time 100 AI.
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Texture artist

A texture artist is an individual who develops textures for digital media, usually for video games, movies, web sites and television shows or things like 3D posters. These textures can be in the form of 2D or (rarely) 3D art that may be overlaid onto a polygon mesh to create a realistic 3D model. Texture artists often take advantage of web sites for the purposes of marketing their art and self-promotion of their skills with the goal of gaining employment from a professional game studio or to join a team working on a "mod" (modification) of an existing game in hopes of establishing industry or trade credentials.
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Léon Bottou

Léon-Yves Bottou (French pronunciation: [leɔ̃ bɔtu]; born 1965) is a researcher best known for his work in machine learning and data compression. His work presents stochastic gradient descent as a fundamental learning algorithm. He is also one of the main creators of the DjVu image compression technology (together with Yann LeCun and Patrick Haffner), and the maintainer of DjVuLibre, the open source implementation of DjVu. He is the original developer of the Lush programming language. == Life == Léon Bottou was born in France in 1965. He obtained the Diplôme d'Ingénieur from École Polytechnique in 1987, a Magistère de Mathématiques Fondamentales et Appliquées et d’Informatique from École Normale Supérieure in 1988, a Diplôme d'Études Approndies in Computer Science in 1988, in 1988, and a PhD from Université Paris-Sud in 1991. In 1988, in collaboration with Yann LeCun, he published SN, a software package for simulating artificial neural networks. His master's thesis concerned using Time Delay Neural Networks for speech recognition. He then joined the Adaptive Systems Research Department at AT&T Bell Laboratories in Holmdel, New Jersey, where he collaborated with Vladimir Vapnik on local learning algorithms. in 1992, he returned to France and founded Neuristique S.A., a company that produced machine learning tools and one of the first data mining software packages, including Lush, an object-oriented programming language based on C and Lisp designed for training and using large-scale neural networks. In 1995, he returned to Bell Laboratories, where he developed a number of new machine learning methods, such as Graph Transformer Networks (similar to conditional random field), and applied them to handwriting recognition and OCR. The bank check recognition system that he helped develop was widely deployed by NCR and other companies, reading over 10% of all the checks in the US in the late 1990s and early 2000s. In 1996, he joined AT&T Labs and worked primarily on the DjVu image compression technology, that is used by some websites, notably the Internet Archive, to distribute scanned documents. Between 2002 and 2010, he was a research scientist at NEC Laboratories in Princeton, New Jersey, where he focused on the theory and practice of machine learning with large-scale datasets, on-line learning, and stochastic optimization methods. He developed the open source software LaSVM for fast large-scale support vector machine, and stochastic gradient descent software for training linear SVM and Conditional Random Fields. In 2010 he joined the Microsoft adCenter in Redmond, Washington, and in 2012 became a Principal Researcher at Microsoft Research in New York City. In March 2015 he joined Facebook Artificial Intelligence Research, also in New York City, as a research lead. His work in gradient descent argued that both stochastic gradient descent and batch gradient descent reach similar levels of loss with the same number of training samples, but SGD is faster when running on large datasets. He also argued that second-order gradient descent methods, such as quasi-Newton methods, can be beneficial compared to plain SGD. See (Bottou et al 2018) for a review. He was program chair of the 2013 Conference on Neural Information Processing Systems and the 2009 International Conference on Machine Learning. In 2007, he was received one of the first Blavatnik Awards for Young Scientists from the Blavatnik Family Foundation and the New York Academy of Sciences.
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Hanna Hajishirzi

Hannaneh Hajishirzi is an Iranian-American computer scientist specializing in natural language processing. She is Torode Family Professor in Computer Science & Engineering in the Paul G. Allen School of Computer Science and Engineering at the University of Washington, head of the H2Lab in the Allen School, and a senior director of natural language processing in the Allen Institute for AI. == Education and career == After a bachelor's degree from the Sharif University of Technology, Hajishirzi completed her Ph.D. in computer science in 2011, at the University of Illinois Urbana-Champaign. Her dissertation, Action-Centered Reasoning for Probabilistic Dynamic Systems, was supervised by Eyal Amir. After postdoctoral research at Disney Research in Pittsburgh, Hajishirzi joined the University of Washington in 2012, as a research scientist in electrical engineering. In 2015 she became a research assistant professor in electrical engineering. She obtained a regular-rank assistant professorship in 2018, at the same time becoming an AI Fellow in the Allen Institute for AI, where she became a senior director of research in 2021. She was promoted to associate professor in 2022 and to full professor in 2025. == Recognition == Hajishirzi was named as a Fellow of the Association for Computational Linguistics in 2025, "for significant contributions to question answering, scientific applications, multimodal artificial intelligence, and fully open language models". == Personal life == Hajishirzi is married to Ali Farhadi, the CEO of the Allen Institute for AI.
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Ancient text corpora

Ancient text corpora are the entire collection of texts from the period of ancient history, defined in this article as the period from the beginning of writing up to 300 AD. These corpora are important for the study of literature, history, linguistics, and other fields, and are a fundamental component of the world's cultural heritage. Chinese, Latin, and Greek are examples of ancient languages with significant text corpora, although much of these corpora are known to us via transmission (frequently via medieval manuscript copies) rather than in their original form. These texts – both transmitted and original – provide valuable insights into the history and culture of different regions of the world, and have been studied for centuries by scholars and researchers. Other ancient texts – particularly stone inscriptions and papyrus scrolls – have been published following archaeological research, notably the cuneiform corpus of c.10 million words and the c.5 million words in ancient Egyptian. Through advances in technology and digitization, ancient text corpora are more accessible than ever before. Tools such as the Perseus Digital Library and the Digital Corpus of Sanskrit have made it easier for researchers to access and analyze these texts. == Quantifying the corpora == Two types of ancient texts are known to modern scholars – those that have only survived in younger manuscripts, but whose great age is undisputed (this applies to the bulk of the Chinese, Brahmi, Greek, Latin, Hebrew and Avestan tradition), and those known from original inscriptions, papyri and other manuscripts. Counting of the words in each corpus presents significant methodological challenges – in principle, every single occurrence of a word in the text is counted separately, but in the case of parallel transmission of literary texts, only a single transmission is taken into account. Just as the Book of the Dead and the coffin texts are only included once in the number given for the Egyptian, the Greek and Latin literary works should only be counted according to one manuscript. If, on the other hand, tombs, royal inscriptions or economic documents of certain ancient languages often show a more or less identical form, this is not evaluated as a purely "parallel tradition". Attached prepositions are counted as separate words, except in the case of the definite article in Hebrew, Aramaic and Greek since it has no equivalent in most languages, so its frequency would significantly affect the comparability of numbers. === Languages with known size estimates === === South Asian === Sanskrit (Vedic Sanskrit and Classical Sanskrit) Indus script (3,800 items, c.20,000 characters) Brahmi script Old Tamil Early Indian epigraphy and Indian epic poetry Kharosthi Pali literature List of historic Indian texts === Mesoamerican === Olmec hieroglyphs Maya script === East Asian === Old Chinese Chinese classics The pre-Qin corpus: a collection of ancient Chinese texts written before the Qin dynasty (221 BCE). The corpus includes texts from Confucianism, Taoism, Legalism, and other schools of thought. The pre-Han corpus: a collection of ancient Chinese texts written before the Han dynasty (202 BCE). The corpus includes texts from Confucianism, Taoism, Legalism, and other schools of thought. See the Chinese Text Project Chinese bronze inscriptions, Oracle bone script, Seal script, Clerical script === Central Iranian languages === Prior to 300 AD, the Central Iranian languages are mainly in the form of Sassanid stone inscriptions in the two closely related idioms Middle Persian (Pahlavi scripts and Inscriptional Parthian), there are 5000 for the corpus of Middle Persian (mostly 3rd, but also 4th/5th centuries) and for the corpus of Parthian (3rd century) 3000 words. To what extent some of the Manichaean Middle Persian literary texts may date back to the 3rd century is difficult to estimate; Mani is said to have personally written the Shabuhragan totaling about 5000 words. In any case, if we combine Middle Persian and Parthian, we come to over 10,000 words. === Proto-Sinaitic === Proto-Sinaitic script has no more than about 400 letters (number of words is unknown since the script has not been fully interpreted). To a similar extent, there are probably approximately contemporaneous Proto-Canaanite inscriptions (ibid.). === Anatolian === Luwian cuneiform, approx. 3000 words the Palaic language few hundred words. Hieroglyphic Luwian the Lycian alphabet (the best attested Anatolian successor language written in alphabetic script) with about 5000 words The Lydian alphabet 109 inscriptions comprising about 1500 words The Phrygian alphabet the in-tomb inscriptions from the 2nd and 3rd centuries AD (approx. 1000 words) and in the so-called "old Phrygian" inscriptions less than 300 words The Carian alphabets whose texts, mainly from Egypt, contain around 600 words. === Old Italic === the Umbrian language attested essentially by the sacrificial instructions of the Iguvinian Tables with 5000 words the Oscan language (ibid.) with 2000 words the Messapic language with probably a good 1000 words (the estimate is difficult because most texts in this hardly understandable language do not use word separators) the Venetic language a few hundred words the Faliscan language a few hundred words Cisalpine Celtic inscriptions amount to approximately 2000 words, to which are added a number of glosses by classical authors === Iberia === Iberian scripts, more rarely written in Greek or Latin script, approx. 2500 words Celtiberian script, which refers to Celtic language testimonies in Iberian, but also in Latin script from Spain (approx. 1000 words) Southwest Paleohispanic script, 78 inscriptions, a few hundred words Lusitanian language, three monuments in Latin script, approx. 60 words === Germanic Northern Europe === Runic inscriptions dated before the 4th century amount to about 30 pieces, which contain no more than 50 words in total === Africa === Geʽez script: comparatively few inscriptions with a total of around 1,000 words before 300 AD. Following Christianization in the 4th century, more extensive texts are known. Libyco-Berber alphabet: over 1,000 inscriptions from the Maghreb, which are dated to Roman times. Most texts do not use a word separator; Peust estimates that the total number of words could be around 5,000 Meroitic script (Ancient Nubian): about 900 texts are known, which Peust estimates may contain approximately 10,000 words, albeit with uncertainty from the fact that the word separator is not used consistently in the Meroitic script. === Aegean === The Cretan Linear A inscriptions that have not yet been deciphered are available in about 2500 texts, which contain a total of around 20,000 characters. The total number of words can hardly be determined; Peust tentatively put it in the same order of magnitude as in Meroitic. In addition to the Linear A texts, there are also inscriptions Cretan hieroglyphs of a few hundred characters and texts written in the Greek alphabet, but not in Greek, with a few dozen words Cypriot syllabary in the first millennium BC, in which mostly Greek texts were recorded. The relevant texts comprise around 100 to 200 words. === Micro corpora === There are a significant number of ancient micro-corpus languages. Estimating the total number of attested ancient languages may be as difficult as estimating their corpus size. For example, Greek and Latin sources hand down an enormous amount of foreign-language glosses, the seriousness of which is not always certain. == Preservation and curation == Historic preservation and maintaining ancient text corpora presents several challenges, including issues with preservation, translation, and digitization. Many ancient texts have been lost over time, and those that survive may be damaged or fragmented. Translating ancient languages and scripts requires specialized expertise, and digitizing texts can be time-consuming and resource-intensive. == Corpus linguistics == The field of corpus linguistics studies language as expressed in text corpora. This includes the analysis of word frequency, collocations, grammar, and semantics. Ancient text corpora provide a valuable resource for corpus linguistics research, enabling scholars to explore the evolution of language and culture over time.
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Crucible (software)

Crucible is a collaborative code review application by Australian software company Atlassian. Like other Atlassian products, Crucible is a Web-based application primarily aimed at enterprise, and certain features that enable peer review of a codebase may be considered enterprise social software. Crucible is particularly tailored to remote workers, and facilitates asynchronous review and commenting on code. Crucible also integrates with popular source control tools, such as Git and Subversion. Crucible is not open source, but customers are allowed to view and modify the code for their own use.
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Luca Maria Gambardella

Luca Maria Gambardella (born 4 January 1962) is an Italian computer scientist and author. He is the former director of the Dalle Molle Institute for Artificial Intelligence Research in Lugano, in the Ticino canton of Switzerland. He is currently the prorector of Università della Svizzera italiana, where he directs the Master of Science in Artificial Intelligence degree course. Several of his papers have been extensively cited, with his collaborators including Marco Dorigo, with whom he has published papers on the application of ant colony optimization theory to the traveling salesman problem, and Jürgen Schmidhuber with whom he has published research on deep neural networks.. Beside working in research, Gambardella explores the potentials of AI applied for the generation of art. Some of his artistic installations received significant media coverage. As a novelist, the genres he approached broad from Bildungsroman of his first book "Sei vite" ("Six lives"), to romance of his second book "Il suono dell'alba" ("The sound of sunrise").
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Bernard Vauquois

Bernard Vauquois ((1929-06-14)June 14, 1929 — (1985-09-30)September 30, 1985) was a French mathematician and computer scientist. He was a pioneer of computer science and machine translation (MT) in France. An astronomer-turned-computer scientist, he is known for his work on the programming language ALGOL 60, and later for extensive work on the theoretical and practical problems of MT, of which the eponymous Vauquois triangle is one of the most widely-known contributions. He was a professor at what would become the Grenoble Alpes University. == Biography == Bernard Vauquois was initially a researcher at French National Centre for Scientific Research (CNRS) from 1952 to 1958 at the Astrophysics Institute of the Meudon Observatory, after completing studies in mathematics, physics, and astronomy. Since 1957, his research program has also focused on methods applied to physics from the perspective of electronic computers, and he has taught programming to physicists. This double interest in astrophysics and electronic computers is reflected in the subject of his thesis and that of the complementary thesis in physical sciences that he defended in 1958. In 1960, at 31 years old, he was appointed professor of computer science at Grenoble University, where, alongside professors Jean Kuntzmann and Noël Gastinel, he began work in the field. At that time, he was also contributing to the definition of the language ALGOL 60. Also in 1960, he founded the Centre d'Étude pour la Traduction Automatique (CETA), later renamed as Groupe d'Étude pour la Traduction Automatique (GETA) and currently known as GETALP, a team at the Laboratoire d'informatique de Grenoble, and soon showed his gift for rapid understanding, synthesis, and innovation, and his taste for personal communication across linguistic borders and barriers. After visiting a number of centers, mainly in the United States, where machine translation research was conducted, he analyzed the shortcomings of the "first-generation" approach and evaluated the potential of a new generation based on grammar and formal language theory, and proposed a new approach based on a representational "pivot" and the use of (declarative) rule systems that transform a sequential sentence from one level of representation to another. He led the GETA in constructing the first large second-generation system, applied to Russian–French, from 1962 to 1971. At the end of this period, the accumulated experience led him to correct some defects of the "pure" declarative and interlingual approach, and to use heuristic programming methods, implemented with procedural grammars written in LSPLs ("specialized languages for linguistic programming", langages spécialisés pour la programmation linguistique) that were developed under his direction, and integrated into the ARIANE-78 machine translation system. In 1974, when he cofounded the Leibniz laboratory, he proposed "multilevel structure descriptors" (descripteurs de structures multiniveaux) for units larger than sentence translation. This idea, premonitory of later theoretical work (Ray Jackendoff, Gerald Gazdar) is still the cornerstone of all machine translation software built by GETA and the French national TA project. Bernard Vauquois' last contribution was "static grammar" (grammaire statique) in 1982–83, during the ESOPE project, the preparatory phase of the French national MT project. He was a key figure in the field of computational linguistics in France. At CNRS, he was a member of section 22 of the National Committee in 1963: "General Linguistics, Modern Languages and Comparative Literature", and then, in 1969, of section 28: "General Linguistics, Foreign Languages and Literature". Since 1965, he has been vice-president of the Association for Natural Language Processing (ATALA). He was its president from 1966 to 1971. He was also one of the founders, in 1965, of the ICCL (International Committee on Computational Linguistics), which organizes COLING conferences. He was its president from 1969 to 1984. From France, he often collaborated with other countries (notably Canada, the United States, the USSR, Czechoslovakia, Japan, China, Brazil, Malaysia, and Thailand), working on the specification and implementation of grammars and dictionaries. He began cooperating with Malaysia, for example, in 1979, which led to the creation of the Automatic Terjemaan Project, with a first prototype of an English-Malay MT system demonstrated in 1980. == Vauquois triangle == The Vauquois triangle is a conceptual model and diagram illustrating possible approaches to the design of machine translation systems, first proposed in 1968. == Legacy == Bernard Vauquois is regarded as a pioneer of machine translation in France. He played a key role in developing the first large-scale second-generation machine translation system, and his work influenced the field of machine translation for many years. He supervised some twenty doctoral theses, most of them concerning formal aspects of natural and artificial languages, with an emphasis on machine translation. The Center for Studies on Automatic Translation, which Vauquois founded in 1960, later became the Group for the Study of Machine Translation and Automated Processing of Languages and Speech (GETALP). It is still a research institution in natural language processing. Vauquois was a prolific writer and speaker, disseminating knowledge about machine translation and related topics. His papers and presentations were instrumental in establishing the field of machine translation in France and beyond. == Publications == Vauquois, Bernard (1973). Traduction automatique (in French). Paris: Gauthier-Villars. Vauquois, Bernard (1967). Introduction à la traduction automatique (in French). Paris: Gauthier-Villars.
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Bruno Zamborlin

Bruno Zamborlin (born 1983 in Vicenza) is an AI researcher, entrepreneur and artist based in London, working in the field of human-computer interaction. His work focuses on converting physical objects into touch-sensitive, interactive surfaces using vibration sensors and artificial intelligence. In 2013, he founded Mogees Limited a start-up to transform everyday objects into musical instruments and games using a vibration sensor and a mobile phone. With HyperSurfaces, he converts physical surfaces of any material, shape and form into data-enabled-interactive surfaces using a vibration sensor and a coin-sized chipset. As an artist, he has created art installations around the world, with his most recent work comprising a unique series of "sound furnitures" that was showcased at the Italian Pavilion of the Venice Biennale 2023. He regularly performed with UK-based electronic music duo Plaid (Warp Records). He is also honorary visiting research fellow at Goldsmiths, University of London. == Early life and education == From 2008-2011, Zamborlin worked at the IRCAM (Institute for Research and Coordination Acoustic Musical) – Centre Pompidou as a member of the Sound Music Movement Interaction team. Under the supervision of Frederic Bevilacqua, he started experimenting with the use of artificial intelligence and human movements, and contributed to the creation of Gesture Follower, a software used to analyse body movements of performers and dancers through motion sensors in order to control sound and visual media in real-time, slowing down or speeding up their reproduction based on the speed the gestures are performed. He has lived in London since 2011, where he developed a joint PhD between Goldsmiths, University of London and IRCAM - Centre Pompidou/Pierre and Marie Curie University Paris in AI, focussing on the concept of Interactive Machine Learning applied to digital musical instruments and performing arts. == Career == Zamborlin founded Mogees Limited in 2013 in London, with IRCAM being amongst the early partners. Mogees transform physical objects into musical instruments and games using a vibration sensor and a series of apps for smartphones and desktop. After a campaign on Kickstarter in 2014, Mogees was used both by common users and artists such as Rodrigo y Gabriela, Jean-Michel Jarre and Plaid. The algorithms implemented in these apps employ a special version of physical modelling sound synthesis, where the vibration produced by users when interacting with the physical object are used as exciter for a digital resonator which runs in the app. The result is a hybrid, half acoustic and half digital sound which is a function of both software and acoustic properties of the physical object the users decide to play. In 2017, Zamborlin founded HyperSurfaces together with computational artist Parag K Mital. to merge "the physical and the digital worlds". HyperSurfaces technology converts any surface made of any material, shape and size into data-enabled interactive objects, employing a vibration sensor and proprietary AI algorithms running on a coin-sized chipset. The vibrations generated by people's interactions on the surface are converted into an electric signal by a piezoelectric sensor and analysed in realtime by AI algorithms that run on the chipset. Anytime the AI recognises in the vibration signal one of the events that have been predefined by the user beforehand, a corresponding notification message is generated in realtime and sent to some application. The technology can be applied to anything ranging from button-less human-computer interaction applications for automotive and smart home to the Internet of things. Because the AI algorithms employed by HyperSurfaces run locally on a chipset, without the need to access cloud-based services, they are considered to be part of the field of edge computing. Also, because the AI can be trained beforehand to recognise the events its users are interested in, HyperSurfaces algorithms belong to the field of supervised machine learning. == Selected awards == IRISA Prix Jeune Chercheur, 13 October 2012 NeMoDe, New Economic Models in the Digital Economy, 25 October 2012 == Patents and academic publications == United States pending US10817798B2, Bruno Zamborlin & Carmine Emanuele Cella, "Method to recognize a gesture and corresponding device", published 27 April 2016, assigned to Mogees Limited GB Pending WO/2019/086862, Bruno Zamborlin; Conor Barry & Alessandro Saccoia et al., "A user interface for vehicles", published 9 May 2019, assigned to Mogees Limited GB Pending WO/2019/086863, Bruno Zamborlin; Conor Barry & Alessandro Saccoia et al., "Trigger for game events", published 9 May 2019, assigned to Mogees Limited Bevilacqua, Frédéric; Zamborlin, Bruno; Sypniewski, Anthony; Schnell, Norbert; Guédy, Fabrice; Rasamimanana, Nicolas (2010). "Continuous Realtime Gesture Following and Recognition". Gesture in Embodied Communication and Human-Computer Interaction. Lecture Notes in Computer Science. Vol. 5934. pp. 73–84. doi:10.1007/978-3-642-12553-9_7. ISBN 978-3-642-12552-2. S2CID 16251822. Retrieved 17 January 2021. Rasamimanana, Nicolas; Bevilacqua, Frédéric; Schnell, Norbert; Guédy, Fabrice; Flety, Emmanuel; Maestracci, Come; Zamborlin, Bruno (January 2010). "Modular musical objects towards embodied control of digital music". Proceedings of the fifth international conference on Tangible, embedded, and embodied interaction. Tei '11. pp. 9–12. doi:10.1145/1935701.1935704. ISBN 9781450304788. S2CID 10782645. Retrieved 17 January 2021. Bevilacqua, Frédéric; Schnell, Norbert; Rasamimanana, Nicolas; Zamborlin, Bruno; Guedy, Fabrice (2011). "Online Gesture Analysis and Control of Audio Processing". Musical Robots and Interactive Multimodal Systems. Springer Tracts in Advanced Robotics. Vol. 74. pp. 127–142. doi:10.1007/978-3-642-22291-7_8. ISBN 978-3-642-22290-0. Retrieved 17 January 2021. Zamborlin, Bruno; Bevilacqua, Frédéric; Gillies, Marco; D'Inverno, Mark (15 January 2014). "Fluid gesture interaction design: Applications of continuous recognition for the design of modern gestural interfaces". ACM Transactions on Interactive Intelligent Systems. 3 (4): 22:1–22:30. doi:10.1145/2543921. S2CID 7887245. Retrieved 17 January 2021. Leslie, Grace; Zamborlin, Bruno; Schnell, Norbert; Jodlowski, Pierre (15 June 2010). "A Collaborative, Interactive Sound Installation". Proceedings of the International Computer Music Conference. Retrieved 17 January 2021. Kimura, Mari; Rasamimanana, Nicolas; Bevilacqua, Frédéric; Zamborlin, Bruno; Schnell, Bruno; Flety, Emmanuel (2012). "Extracting Human Expression For Interactive Composition with the Augmented Violin". International Conference on New Interfaces for Musical Expression. Retrieved 17 January 2021. Ferretti, Stefano; Roccetti, Marco; Zamborlin, Bruno (13 January 2009). "On SPAWC: Discussion on a Musical Signal Parser and Well-Formed Composer". 2009 6th IEEE Consumer Communications and Networking Conference. pp. 1–5. doi:10.1109/CCNC.2009.4784966. ISBN 978-1-4244-2308-8. S2CID 14213587. Zamborlin, Bruno; Partesana, Giorgio; Liuni, Marco (15 May 2011). "(LAND)MOVES". Conference on New Interfaces for Musical Expression, NIME: 537–538. Retrieved 17 January 2021.
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Line detection

In image processing, line detection is an algorithm that takes a collection of n edge points and finds all the lines on which these edge points lie. The most popular line detectors are the Hough transform and convolution-based techniques. == Hough transform == The Hough transform can be used to detect lines and the output is a parametric description of the lines in an image, for example ρ = r cos(θ) + c sin(θ). If there is a line in a row and column based image space, it can be defined ρ, the distance from the origin to the line along a perpendicular to the line, and θ, the angle of the perpendicular projection from the origin to the line measured in degrees clockwise from the positive row axis. Therefore, a line in the image corresponds to a point in the Hough space. The Hough space for lines has therefore these two dimensions θ and ρ, and a line is represented by a single point corresponding to a unique set of these parameters. The Hough transform can then be implemented by choosing a set of values of ρ and θ to use. For each pixel (r, c) in the image, compute r cos(θ) + c sin(θ) for each values of θ, and place the result in the appropriate position in the (ρ, θ) array. At the end, the values of (ρ, θ) with the highest values in the array will correspond to strongest lines in the image == Convolution-based technique == In a convolution-based technique, the line detector operator consists of a convolution masks tuned to detect the presence of lines of a particular width n and a θ orientation. Here are the four convolution masks to detect horizontal, vertical, oblique (+45 degrees), and oblique (−45 degrees) lines in an image. a) Horizontal mask(R1) (b) Vertical (R3) (C) Oblique (+45 degrees)(R2) (d) Oblique (−45 degrees)(R4) In practice, masks are run over the image and the responses are combined given by the following equation: R(x, y) = max(|R1 (x, y)|, |R2 (x, y)|, |R3 (x, y)|, |R4 (x, y)|) If R(x, y) > T, then discontinuity As can be seen below, if mask is overlay on the image (horizontal line), multiply the coincident values, and sum all these results, the output will be the (convolved image). For example, (−1)(0)+(−1)(0)+(−1)(0) + (2)(1) +(2)(1)+(2)(1) + (−1)(0)+(−1)(0)+(−1)(0) = 6 pixels on the second row, second column in the (convolved image) starting from the upper left corner of the horizontal lines. page 82 == Example == These masks above are tuned for light lines against a dark background, and would give a big negative response to dark lines against a light background. == Code example == The code was used to detect only the vertical lines in an image using Matlab and the result is below. The original image is the one on the top and the result is below it. As can be seen on the picture on the right, only the vertical lines were detected
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Halbert White

Halbert Lynn White Jr. (November 19, 1950 – March 31, 2012) was the Chancellor's Associates Distinguished Professor of Economics at the University of California, San Diego, and a Fellow of the Econometric Society and the American Academy of Arts and Sciences. == Education and career == White, a native of Kansas City, Missouri, graduated salutatorian from Southwest High School in 1968. He went on to study at Princeton University, receiving his B.A. in economics in 1972. He earned his Ph.D. in economics at the Massachusetts Institute of Technology in 1976, under the supervision of Jerry A. Hausman and Robert Solow. White spent his first years as an assistant professor in the University of Rochester before moving to University of California, San Diego (UCSD) in 1979. He remained at UCSD until his untimely death from cancer. == Research == White was well known in the field of econometrics for his 1980 paper on robust standard errors (which is among the most-cited paper in economics since 1970), and for the heteroscedasticity-consistent estimator and the test for heteroskedasticity that are named after him. A 1982 paper by White contributed strongly to the development of quasi-maximum likelihood estimation. He also contributed to numerous other areas such as neural networks and medicine. In 1999, White co-founded an economic consulting firm, Bates White, which is based in Washington, D.C.
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How to Choose an AI Video Editor

In search of the best AI video editor? An AI video editor is software that uses machine learning to help you get more done — it turns a rough idea into a polished result in seconds. When choosing one, weigh output quality, pricing, export formats, and how well it fits the tools you already use. Whether you are a beginner or a pro, the right AI video editor slots into your workflow and pays for itself fast. We tested the leading options and ranked them by quality, value, and ease of use.
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